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Resident Evil: Welcome To Raccoon City Review

By Dave Griffiths @goodbaduglyshow · On December 24, 2021

The Gist

A young woman returns to her home town when she learns that The Umbrella Corporation might be poisoning its residents.

The Review

Okay I will try not to fanboy too much with this review. Did I love the original Resident Evil film franchise? Yes I will agree I did, but even I realised that the franchise went on a little too long and yes it also had some weak films. But on the flipside the original and Resident Evil: Extinction were two of the best action films to ever be made.

Having said all of that though there was always a pretty big problem with the Resident Evil film franchise. While the films were good anyone who had ever played the games were very quick to point out that very few of the characters on the big screen were ever in the games.

That is why I have chosen to see the first film of the re-boot, Resident Evil: Welcome To Raccoon City, as something fresh rather than proof that this franchise is harder to kill then a Zombie Doberman. There is no Alice to be seen this time around and instead director/screenwriter Johanne Roberts (47 Metres Down) has decided to give the characters from the games a life on the big screen.

I found the story itself pretty basic. After escaping their clutches years earlier Claire Redfield (Kaya Scodelario – The Maze Runner) has discovered some pretty horrific information about the Umbrella Corporation. She returns to Raccoon City to warn her brother, local Police Officer Chris Redfield (Robbie Amell – The Tomorrow People), about what she has discovered… the town’s drinking water has become undrinkable.

However when she returns to the city she discovers that the effects have already started to show within the town’s human population and while she receives a cold reception from her brother soon the entire Police Force find themselves stretched to the limit when Umbrella’s warning system activates.

Throw into the mix an incompetent Police Chief, Irons (Donal Logue – Blade), who refuses to acknowledge what is happening and a rookie cop,  Leon (Avan Jogia – Shaft) and soon everything is going to hell.

I won’t lie I found the film enjoyable. It had enough action sequences to keep me from getting bored and I found the characters of Claire and Jill Valentine (Hannah John-Kamen – Ant-man And The Wasp) interesting enough to keep the story moving along. But the film has some serious problems that prevents it from becoming a great film.

First of all nothing happens here that we haven’t seen in the genre before. When the first Resident Evil movie came out it was fresh. Zombies hadn’t been a thing for awhile but of course now we’ve all just had ten years of The Walking Dead, a show I have to admit is pretty bloody perfect in the genre, and of course a myriad of smaller zombie films that have tried to capitalise on the zombie phenomenon.

The second issue is that for some reason Johanne Roberts has decided for some strange reason to make Raccoon City a town rather than a city. That causes problems because soon the believability of having a fort like Police Station and a special unit of Police Officers (with their own helicopter) stationed in Raccoon City becomes pretty unlikely. That then leads to the third issue – the special unit of Police Officers… why do all the male members seem so similar?

I know complaining about believability in a genre film like this seems a little strange, but that is where The Walking Dead works. Yes there are flesh-eating zombies but the world that they are in are believable, as an audience I can find myself relating to the situations that the characters are in… with this film I never found that at all.

If Roberts had wanted this to be a plausible film he needed to scale everything back, or make Raccoon City an actual city that would require a large Police Force, because as is this is a film that while serviceable offers nothing new to the genre. It has the feel of films like 30 Days of Night or Werewolves Within but not the originality to match them

The Verdict

I would have to say that this is really a film that is just for true Resident Evil fans. Casual cinema goers are going to pick this film apart in a moment but at least if you love the games you are going to have the enjoyment of watching characters you love come to life.

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Related

Resident Evil: Welcome To Raccoon City Review
Dave Griffiths
December 24, 2021
2.5/10
2.5 Overall Score

Avan JogiaDonal LogueHannah John-KamenJohanne RobertsKaya ScodelarioResident Evil: Welcome To Raccoon CityRobbie Amell
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Dave Griffiths

Dave Griffiths has worked as a journalist for over twenty years now -covering topics including film, television, music, travel and sport (with a main focus on AFL Football). That time has seen him host the popular X-Wired television program for seven seasons as well as write for various magazines such as Buzz Magazine, Heavy Mag, Stage Whispers, The Banner and Eternity.. He has even branched out into writing online for Subculture Entertainment, Media Search and The Book The Film The T-Shirt. He also worked as the online editor for Entertainment 360 for three years. Dave's radio work has seen him work on various radio stations including 3RPP, Triple R and Light FM. He is currently the resident film reviewer on Sydney's 2UE radio station and can be heard reviewing what is new at cinemas and on DVD each week on Wednesdays at 3pm with Ed Phillips. He is also the co-host of Melbourne's 94.1FM's breakfast show 'The Motley Crew' and he can sometimes be heard on J-Air's 'First On Film'. David is also the co-host of two popular podcasts - ‘The Good, The Bad, The Ugly Film Show,' and 'The Popcorn Conspiracy' As far as Film Reviewing goes David is an elected committee member of AFCA (Australian Film Critics Association and a member of IPRESCI (International Federation of Film Critics)/FIPRESCI (Fédération Internationale de la Presse Cinématographique). He has also served as a jury member for a number of international film festivals and is considered an expert on cult cinema, horror movies and Australian films.

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