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House Of Gucci Review

By Dave Griffiths @goodbaduglyshow · On January 2, 2022

The Gist

Tells the story of the relationship between Maurizio Gucci and Patrizia Reggiani that led to the rise of the Gucci Empire.

The Review

Gucci! I might not be a fashion expert… okay my wardrobe is mainly made up of jeans and band T-Shirts… but even I was counting down the days until I could check out The House Of Gucci. I have always found  the history of fashion houses and the creative artists that live and work within them fascinating. Over the years I’ve read books and watched countless documentaries to fuel that curiosity and now director Ridley Scott (Prometheus) was going to be playing out one of the greatest sagas to hit a fashion house out on the big screen… how could I not be excited?

The story that Scott chronicles is that of Maurizio Gucci (Adam Driver – Paterson). The son of one of the more reclusive Guccis, Rodolfo (Jeremy Irons – The Lion King), originally Maurizio had very little to do with the fashion side of the Gucci family. That side of things was left to his uncle, Aldo (Al Pacino – The Godfather), who operated the business in such a way that it was known for its classic chic when it came to bags and luggage.

But that all changed when Maurizio met Patrizia Reggiani (Lady Gaga – A Star Is Born) whom he immediately fell in love with. Scared of what the relationship would mean for Maurizio his father severed ties with him and soon Maurizio found himself closer to Rodolfo and his hapless dreamer cousin, Paolo (Jared Leto – Suicide Squad). The result was Patrizia urging Maurizio to become more involved with the fashion side of the business and to help turn it around after advice she has received from a clairvoyant named Pina (Salma Hayek – Savages).

As I watched this film play out on the big screen I realised that the story itself is very Shakesperian. The story itself has similarities to Macbeth and as a director Scott enhances that even more by allowing the film to play out it lavish homes and locations and focussing more on dialogue rather than on action and suspense. There are times in this film when Patrizia rants like Lady Macbeth and the suspense that does rear its head throughout the film comes from the characterisation – in particular who is going to act in what way when certain events happen. To be honest there is probably more suspense in this film for those that don’t know the story of Maurzio Gucci. Because I had previously watched a documentary on his life I often knew what was going to happen next, but that certainly wouldn’t be the case for someone that doesn’t know the story because Scott road-signs nothing.

For years I have heard about various Governments in Europe wanting to use cinema as a way to lure tourists to their countries. For the most part the films that have done it have felt forced whereas the way Scott has shot House of Gucci is purely natural yet it had me wanting to visit some of the beautiful gardens and narrow Italian laneways it is set in due to the way they appear on the screen.

Despite some strange casting decisions the performances of the cast here are exceptional. Lady Gaga should well and truly be in contention for an Oscar for her portrayal of Patrizia, while Adam Driver is natural and at times deliberately cold as Maurizio. In real life Maurizio was awkward and rarely showed emotion and that is something that Driver portrays well on the screen here. The strangest casting choice was perhaps Leto as the aloof and simple Paolo. Leto is unrecognisable in the role and once again takes character acting to the next level, hopefully his name is also mentioned once or twice during awards season.

Perhaps the only real weakness of House Of Gucci is a finale that seems a little rushed. I can’t say too much about it because I would be heading into spoiler territory, but the film builds to a climatic event but then just seems to sadly falls away afterwards and the fallout of the event is not explored in the way that it could have been. Still that is a small gripe for a film that mostly holds its drama throughout its expanded runtime.

The Verdict

House Of Gucci is a sensational drama. Scott highlights the Shakesperian nature of the story and delivers some powerful scenes that are further enhanced by a cast that are on the top of their game. Then there is also an awesome 70s and 80s soundtrack that captures the mood of the time perfectly well.

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Related

House Of Gucci Review
Dave Griffiths
January 2, 2022
4/10
4 Overall Score

Adam DriverAl PacinoJared LetoLady GaGaSalma HayekThe House Of Gucci
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Dave Griffiths

Dave Griffiths has worked as a journalist for over twenty years now -covering topics including film, television, music, travel and sport (with a main focus on AFL Football). That time has seen him host the popular X-Wired television program for seven seasons as well as write for various magazines such as Buzz Magazine, Heavy Mag, Stage Whispers, The Banner and Eternity.. He has even branched out into writing online for Subculture Entertainment, Media Search and The Book The Film The T-Shirt. He also worked as the online editor for Entertainment 360 for three years. Dave's radio work has seen him work on various radio stations including 3RPP, Triple R and Light FM. He is currently the resident film reviewer on Sydney's 2UE radio station and can be heard reviewing what is new at cinemas and on DVD each week on Wednesdays at 3pm with Ed Phillips. He is also the co-host of Melbourne's 94.1FM's breakfast show 'The Motley Crew' and he can sometimes be heard on J-Air's 'First On Film'. David is also the co-host of two popular podcasts - ‘The Good, The Bad, The Ugly Film Show,' and 'The Popcorn Conspiracy' As far as Film Reviewing goes David is an elected committee member of AFCA (Australian Film Critics Association and a member of IPRESCI (International Federation of Film Critics)/FIPRESCI (Fédération Internationale de la Presse Cinématographique). He has also served as a jury member for a number of international film festivals and is considered an expert on cult cinema, horror movies and Australian films.

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