The Gist
A mother is struggling to deal with life after her husband is mysteriously murdered. Since the murder her son hasn’t spoken and the Police say her husband had a secret life as a drug dealer. Desperate to clear his name the woman decides that it is time to fight back.
The Review
Female led revenge films are nothing new. In fact you could say that several have surfaced every year since director Meir Zarchi delivered the controversial I Spit On Your Grave back in 1978. Yes a lot do exist, but I think I have lost count how many times they have left me leaving the cinema thinking “well I’ve seen that plot a few dozen times now.”
The key to making a film in this genre work is that the filmmaker must be creative enough to come up with something out of the box and never seenbefore. That is certainly the case with under-rated Irish film A Good Woman Is Hard To Find, a film that seemed to be swept under the carpet as all the attention on the genre over the last twelve months have focussed on the epic bomb Peppermint and the brilliant, award-winning The Nightingale.
When it comes to creativity A Good Woman Is Hard To Find is certainly on par with The Nightingale. Directed by Abner Pastoll (Road Games) the film’s revenge seeker is Sarah (Sarah Bolger – The Spiderwick Chronicles), a young widow who wants answers around the murder of her husband.
Her husband was murdered in a park not far from their home and in front of their son who now has not spoken a word since the incident. Much to Sarah’s anger the Police do not want to know about the case and instead insist on telling her that her husband was most likely living a secret life as a drug dealer – a risky move when you live on the patch run by the notorious and unforgiving drug baron Leo Miller (Edward Hogg – Jupiter Ascending).
Adding to Sarah’s woes is the fact that she is now living in fear of opportunistic thief Tito (Andrew Simpson – Notes On A Scandal) who has managed to steal some of Miller’s stash and now keeps it at Sarah’s home. With her family already suffering she now must deal with the constant threats of violence that Tito delivers in order to keep her silence.
What I thought separated this film from the many others in the genre is the great handle that Pastoll has on Oscar nominated Ronan Blaney’s (Don’t Go) screenplay. Blaney has delivered a gem of a script that brings in suspense by the bucket-load and then to top that off Pastoll then brings in his own style of gangster driven film noir that more than kept me on the edge of my seat throughout the film.
I should warn potential viewers of the film though that Pastoll also doesn’t hold back when it comes to the violence on the screen. To his credit though I didn’t think he was violent just to be violent instead I believe that the graphic violence that the director brings to the screen is there to show the brutal situation and events that Sarah has found herself in. In the wrong hands this could have become a virtual schlock thriller but in the hands of Pastoll it becomes a well thought out suspense thriller that comes to an epic conclusion with a blood-soaked finale.
Credit also needs to go to the film’ leading lady – Sarah Bolger. I believe she is nothing short of sensational in this film. A lesser actress may have felt the need to rest her laurels on the action and suspense of the film but here Bolger surprised me by delivering moments of intense drama and she portrays Sarah in such a way that I could not help but feel sorry for her.
The Verdict
I found that there was nothing disappointing about A Good Woman Is Hard To Find and I am glad that it has now landed on DVD and VOD as it made my Top 20 Films Of 2019 list after I was lucky enough to catch it on the festival circuit.
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