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Bloodshot Review

By Dave Griffiths @goodbaduglyshow · On March 30, 2020

The Gist

Based on the popular Valiant Comics series Bloodshot the film centres on Special Forces soldier Ray Garrison(Vin Diesel – The Fast & The Furious) who after returning from a mission is kidnapped and murdered alongside his wife, Gina Garrison (Talulah Riley – Inception). He then wakes up in the laboratory of Dr. Emil Harting (Guy Pearce – Memento) having being re-animated and turned into a super-soldier. While Harting marvels at his creation he quickly adds him to his team of super soldiers but while working with team leader Katie (Eiza Gonzalez – Alita: Battle Angel) he suddenly has flashbacks and decides to seek revenge for what has happened. But what is real and what is a figment of his imagination… that is what he has to find out.

The Review

Actor Vin Diesel has become a super-star off the back of the Fast & Furious, XXX and Riddick franchises but over recent years he has rarely strayed from either, perhaps preferring to sticking to what he knows best. That is what makes Bloodshot such an interesting prospect. Arguably, one of the world’s biggest action stars rarely branching out to start something new, and something that from the look of the trailer looks interesting enough to take a chance on.

That is actually one of the joys of watching Bloodshot. The film has so many twists and turns that it is impossible to ever work out what is going to happen next. With a brilliant screenplay from Jeff Wadlow (Truth Or Dare) and Eric Heisserer (Arrival) the line between the truth and fiction and is often tested and the audience is left in the dark to what is really happening in just the same way the characters are. The result is a film that contains such a suspense element that it lifts the storyline well above what most films in the action genre can ever achieve.

When it comes to the action genre there is something uniquely intelligent about Bloodshot. The screenplay is suspenseful and thought-provoking while director Dave Wilson (Love, Death & Robots) is a smart enough director to actually keep the action to a level that actually makes the story seem more believable. The fact that Wilson is a first time director is almost unbelievable as he handles this film with the expertise of a seasoned director with the experience of Steven Spielberg. Wilson creates some pretty impressive action sequences, including a sequence in a tunnel that does more than show that he is a director with a big future ahead of him

The only side of the film that lets it down slightly is the fact that after the film delivers its big twist that turns everything on its head, which happens about halfway through the film; it feels like the film then loses its greatest source of suspense. From then on the film seems to become a simple good versus evil storyline that is purely kept interesting by the fact that by that time the audience have become invested in the characters – especially Ray and Katie.

Because of that we should thank goodness that this is one action film that has bothered to put some effort into characterisation, but that can’t be said for all the characters we find here. While the screenplay does give us a pretty good notion of who characters like Ray and Katie are it falls dangerously with the ‘villains’ who become one dimensional and very comic-book like – the kinds of characters that we have seen in films thousands of times in the past. The result of that also sees up and down performances by the main actors as well. The biggest loser here is Guy Pearce whose talents seem to be completely wasted as he plays a characterless villain who would have been more at home in a video game. On the flipside my biggest fear going into this film was that I would not be able to not see Vin Diesel as Dom Toretto or Xander Cage. Luckily though, the characterisation that the screenplay allows for Ray the film does actually allow Vin Diesel the opportunity to test his acting chops while also delivering so awesome action sequences. He is also well supported by Eiza Gonzelez who grouped with her performances in Baby Driver and Alita: Battle Angel is showing Hollywood why she is one of the biggest stars on the rise.

The Verdict

There are some things that sadly let down Bloodshot but there is more than enough to make this the perfect film to sat down and watch when you just don’t want to think. So engrossing is the storyline that it does feel like you are watching a television pilot that wants to draw you more into its universe. At the end of the day Bloodshot is well worth watching if you are looking for a good action film to lose yourself in.

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Related

Bloodshot Review
Dave Griffiths
March 30, 2020
3.5/10
3.5 Overall Score

BloodshotEiza GonzalezGuy Pearce
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Dave Griffiths

Dave Griffiths has worked as a journalist for over twenty years now -covering topics including film, television, music, travel and sport (with a main focus on AFL Football). That time has seen him host the popular X-Wired television program for seven seasons as well as write for various magazines such as Buzz Magazine, Heavy Mag, Stage Whispers, The Banner and Eternity.. He has even branched out into writing online for Subculture Entertainment, Media Search and The Book The Film The T-Shirt. He also worked as the online editor for Entertainment 360 for three years. Dave's radio work has seen him work on various radio stations including 3RPP, Triple R and Light FM. He is currently the resident film reviewer on Sydney's 2UE radio station and can be heard reviewing what is new at cinemas and on DVD each week on Wednesdays at 3pm with Ed Phillips. He is also the co-host of Melbourne's 94.1FM's breakfast show 'The Motley Crew' and he can sometimes be heard on J-Air's 'First On Film'. David is also the co-host of two popular podcasts - ‘The Good, The Bad, The Ugly Film Show,' and 'The Popcorn Conspiracy' As far as Film Reviewing goes David is an elected committee member of AFCA (Australian Film Critics Association and a member of IPRESCI (International Federation of Film Critics)/FIPRESCI (Fédération Internationale de la Presse Cinématographique). He has also served as a jury member for a number of international film festivals and is considered an expert on cult cinema, horror movies and Australian films.

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